Quay development had a fundamental impact on late nineteenth-century Eastern Mediterranean urban space. Large-scale development of the waterfront created not only a new facade for Izmir and Thessaloniki, but also precipitated new usages of urban space and modes of transport, labor, and leisure. They also led to a perceived bifurcation of the urban space into modernized and non-modernized quarters.
Société des Quais de Smyrne | Smyrne, 1 June 1919, 6 % Bond for 500 Francs, #4829, 19 x 36.2 cm, brown, black, rest of coupons, vertical folds, otherwise EF, Drumm/Henseler/Glasemann TR 2670, R6, this company was not in the collection of Jens Scheele!
(EXCERPT) The making of an Ottoman port The quay of Izmir in the nineteenth century
Elena Frangakis-Syrett, Queens College, City University of New York
In 1889, with the harbour infrastructure in place, the British consul stationed in Izmir noted the economic dynamism of the city port:
“Although, officially, the district of Smyrna [Izmir] only comprises the province of Aidin [Aydin], yet virtually its commercial influence extends over the most fertile portion of Asia Minor, including the provinces of Konia [Konya] and Adalia [Antalya], and parts of Angora [Ankara], Broussa [Bursa] and Adana besides the whole of the Turkish Archipelago. This commercial influence is yearly increasing …7”
The quay was in many respects a local project, born out of local needs, given the continuous increase in trade and shipping in the port of Izmir.
Carpets, figs, fruits and dried fruits, cereals, valonia, silk, mohair, galls, tobacco, oliveoil, opium, oranges and lemons, picked mastic, rose and orange waters, trees, sponges from the Greek Archipelago brought in Smyrna and cleaned for exportation, drugs and gums, emery stone (in Reid Hugh, op. cit.) and liquorice root, so profitable in the trade that the British built a factory in Sӧke.
It was initiated locally in the cities of Istanbul and Izmir, in the Ottoman Empire, and even financed locally at first. Both the initial concessionaires, J. H. Charnaud, A. Barker and G. Guarracino, as well as the board of directors of the Smyrna Quay Company set up in 1868, namely A. Cousinéry, Baron Alliotti, P. Alliotti, E. de Creamer, F. Charnaud, K. Abro, A. Spartali and A. Alliotti, with the exception of Cousinéry, who was French, were either British in origin or had British nationality; they were also long-term members of the city’s business community. Despite subsequent bitter antagonism between the British community and diplomats, in its origins the quay was a British project. Aware that their plans might impinge upon the ‘vested rights or private interests’ of the owners of property on the sea front, including wharfs and warehouses, the three concessionaires actively sought the agreement and support of the business community, as well as the ‘assistance’ of British diplomats in both Istanbul and Izmir. Very early on, however, they became aware that the British consul in Izmir was going to be no friend of the project even when it was still in British hands.
Port construction In 1880, when the project was finally completed, it consisted of a quay in the form of a retaining wall made of cut stones and extending 4 km along the shoreline.18 It started at the imperial barracks and ended by the wharf of the Aydin railway station at the Pointe, that is, from one end of the city to the other. This retaining wall, which was 15 m above sea level, was constructed approximately 50 m offshore from the pierhead of the old harbor. The area between the retaining wall and the old shoreline was filled with rubble, quarried locally by the company, and paved over with cut stones, forming a quay 18 m wide on which a dual-track tramway was built that led from the Customs House (on the side of the imperial barracks) to the Aydin railway station.Two thousand meters of sewer pipes in total were laid, at regular intervals, to carry sewage from the city, through the wall and into the sea. Besides the quay, two artificial harbors were constructed with 1,250 m of stone breakwaters: one, known nowadays as the inner harbor and at the time as port d’abri, was completely sheltered; the other was smaller and less sheltered, being open to the sea at the southern end. The larger harbor covered an area of some fifty acres and was bigger than the Port de la Joliette in Marseilles, also constructed by Dussaud. It consisted of four breakwaters, totalling in length 1,050 m and forming an irregularly shaped triangle, 200 m long on the south side, 450 m long on the west side and 400 m long on the north side. The northern side of the harbor was broken by a 100 m gap to enable ships to enter. There was a red light on the right-hand side of the entrance (going in) and a green light on the left.
The Role of Imperial and
Local Authorities on the Construction of Ports of Smyrna and Thessaloniki
Ceylan Irem Gencer
The shore of Smyrna before port construction (Archive of Izmir Municipality
Construction of the Port of Smyrna
Construction of Smyrna Port has been one of the earliest examples of big scale urban renovation projects of Ottoman Empire. At that time, railroad construction projects were mostly being applied with the help of European countries and supply of foreign capital (Oberling, 1986: 316). In mid XIX th century, the shore of Smyrna consisted of customs house –initially built during the XVII th century by the Porte as a sign of domination over Smyrna’s international trade activities-, and several wharfs projecting into the sea from the houses of foreign consulates. As Admiral Hobart, head of the British naval mission in Turkey stated, Smyrna is “an open port, exposed to winds from more than half of the points of the compass, with shores much unprotected” (Oberling, 1986: 316). In 1866, the governance of the city decided for the construction of a quay at the shore. Governor Sabri Pasha who had governed Smyrna between 1867-68 also played an important role in concluding the negotiations between the Porte and investors of the project (Yerolympos, 1996: 62). In 1867, three British tradesmen residing in Smyrna required permission from the Sublime Porte for the construction of Smyrna harbor. According to the terms of concession, in five years the contractor company would erect a line of quays 19 meters wide and about 3,5kilometers long along the present shore. It would also undergo the filling of the shore for the new construction. The company was also able to run a tramway line running along the quays.
The building materials would be obtained free of charge from government-owned lands. Moreover, although the Sublime Porte was able to receive royalties up to 12 % of the revenues, the contractor company would be able to levy a tax on all goods loaded and unloaded in the new port. After 30 years, the quays would be reverted to the government without any payment. (Oberling, 1986: 316-17) Construction of quays brought up an ownership issue: the sea of Smyrna Port belonged to the government (waqf of the Sultan). Land gained from the sea after the filling operation would still belong to the waqf; however it could be sold to those who are willing to buy. Besides, after the sea is filled, the properties at the previous shoreline would stay inland; therefore those landowners at the shore would be able to buy the new land formed in front of them.(Kütükoğlu, 2000: 502)In 1868, a joint stock company,
Société des Quais de Smyrne, was established by Smyrniote merchants, landowners and bankers. The company, after the interference of French consul in Smyrna, hired Dussaud Brothers from Marseille to undertake construction work (Oberling,1986: 317). The constructers were engineers experienced in port construction in several Mediterranean cities: Ports of Brest, Toulon and Cherbourg in France; Port Nuovo of Trieste(Italy), Suez and Said ports in Egypt and Port of Algeria were all constructed by Dussaud Brothers (Oberling, 1986: 317).
Although the company started to work immediately in 1868, it had to face many complications. As foreign companies played an important role in Smyrna’s trade activities, they protested the tax to be taken by Société des Quais de Smyrne from all goods passing through the Customs (Kütükoğlu, 2000: 507). This caused hostility among Smyrna’s merchants, and the company had a difficulty in selling its shares, which was going to be itsmain source of income (Oberling, 1986: 317). The Sublime Porte’s efforts to solve the problem by changing the contract to create a “tax free zone” made matters even worse. In1869, the company was unable to fulfill its obligations to Dussaud Brothers and it was bankrupted (Oberling, 1986: 318). As a result, Dussauds bought the company with all its rights and privileges and resumed the construction of the port (Oberling, 1986: 319). During the construction, the quays -which would act as a breakwater- had to be erected first, only then the sea could be filled. Until the space between the old shore and the new quays are filled, the water collected there became filthy because of the sewage once pumped into the bay. Besides, the small railway built by Dussauds to carry building materials caused congestion in the densely populated areas of the city (Oberling, 1986: 321).
Against all odds, the company was able to finish the construction in 1875. The port with its modern facilities ,quays with management, commercial and residential areas soon became the new center of the city.
KONAK PIER
It was designed in 1890 by Architect Charles Sauvestre[*] and possibly engineered by Gustave Eiffel,[**] to function as a customs building..
[*]Charles Léon Stephen Sauvestre (26 December 1847 - 18 June 1919) was born in Bonnétable, Sarthe in France in 1847. His father Charles Sauvestre was a writer, socialist, activist and teacher and his mother was a housewife. He graduated with first class honors from École Spéciale d'Architecture in 1868. He died in 1919.
Sauvestre contributed to the design of the Eiffel Tower. He also chose the color of the tower. He received the support of Gustave Eiffel who bought the rights to the patent on the design which he had filed together with Maurice Koechlin and Émile Nouguier.
He was also the head of the Architecture department Compagnie des Etablissements Eiffel.
By Vecdia - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=49411069
[**] The design of the Eiffel Tower is attributed to Maurice Koechlin and Émile Nouguier, two senior engineers working for the Compagnie des Établissements Eiffel. It was envisioned after discussion about a suitable centrepiece for the proposed 1889 Exposition Universelle, a world's fair to celebrate the centennial of the French Revolution. Eiffel openly acknowledged that inspiration for a tower came from the Latting Observatory built in New York City in 1853. In May 1884, working at home, Koechlin made a sketch of their idea, described by him as "a great pylon, consisting of four lattice girders standing apart at the base and coming together at the top, joined together by metal trusses at regular intervals". Eiffel initially showed little enthusiasm, but he did approve further study, and the two engineers then asked Stephen Sauvestre, the head of company's architectural department, to contribute to the design. Sauvestre added decorative arches to the base of the tower, a glass pavilion to the first level, and other embellishments.














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