Mavi Boncuk |
Gülru Çakmak
(University of Massachusetts, Amherst, USA)
Jennifer Fay
(Vanderbilt University, USA)
Emine Fişek
(Austrian Academy of Sciences, Austria)
Eveline Kilian
(Humboldt University Berlin, Germany)
Hiroshi Kitamura
(The College of William & Mary, USA)
B. Venkat Mani
(University of Wisconsin Madison, USA)
Kate Rigby (Bath
Spa University, UK)
The transnational
has become one of the most popular paradigms in cultural studies. On the one
hand, it bears the promise of transformation: of the opportunity to move across
and beyond geographic and disciplinary boundaries, tracing the mobility of peoples,
cultures, languages, institutions, ideas, and ideologies around the globe. Yet,
on the other hand, it also exposes the continued power of these boundaries,
revealing structures of exclusion. This series showcases innovative scholarly
work that not only maps these transnational entanglements but develops new
methodological and theoretical approaches to interrogate them. Topics thus span
cultural and historical reflections of migration, diaspora, and exile;
globalization, cosmopolitanism and citizenship; and acts of border crossing,
whether across geographies, cultures, or languages. The works in the series not
only engage with the transnational as practice but also develop and contribute
in novel ways to transnational theory and methodology. In so doing, they
critically re-appraise seemingly ‘national’ canons and contexts in the light of
transnational approaches.
Office: Andrews Hall 207A Phone: (757) 221-2527
Email: ssayek@wm.edu
Areas of Specialization: Modern architecture and urbanism; geography, cultural landscape studies, and planning history; the Ottoman Empire and the modern Middle East.
Trained as an architect, urban planner, and architectural historian, Sibel Zandi-Sayek joined the department of Art and Art History at William and Mary in 2002. She holds professional degrees from the University of Pennsylvania and a Ph.D. from the University of California, Berkeley.
See also: Ottoman Izmir: The Rise of a Cosmopolitan Port, 1840-1880
Between 1840 and 1880, the Eastern Mediterranean port of Izmir (Smyrna) underwent unprecedented change. A modern harbor that welcomed international steamships and new railway lines that transported a cornucopia of products transformed the physical city. Migrants, seasonal workers, and transient sailors thronged into an already diverse metropolis, helping to double the population to 200,000. Simultaneously, Ottoman officials and enterprising citizens vied to control and reform the city’s administrative and legal institutions.
Ottoman Izmir examines how urban space, institutional structures, and everyday practices shaped one another in the thriving seaport of Izmir during a volatile period of growth. Sibel Zandi-Sayek investigates a variety of urban actors—Muslims and non-Muslims, Ottomans and Europeans, newcomers and native residents, merchants, investors, civil servants, and press reporters—who were actively engaged in restructuring the city. Concentrating on the workings of urban committees and on laws and policies that were written, rewritten, but never fully implemented, Zandi-Sayek exposes how modern interventions sought to impose clear-cut concepts of public and private, safety and danger, and hygiene on a city that previously had a wide range of customary regulations.
Ottoman Izmir shows how Izmir’s various stakeholders contested its built environment. In so doing, it offers a new view of the dynamics of urban modernization.



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