Nardugan (Nardoğan-Büyükçille) is more than an ancient festival. It’s a bridge between the past and present. By reviving this tradition, communities preserve their heritage, celebrate cultural diversity, and reconnect with the rhythms of nature. Its themes of renewal, gratitude, and light resonate universally, making Nardugan a meaningful celebration for people of all backgrounds.
The tree of life, which dates back to prehistoric times, is a global motif. It clarifies concepts such as life, creation, death or immortality. That’s why the tree of life is one of the most important symbols in Turkic mythology.
The tree of life, known as Ulukayın[2], Paykaygın, Bayterek and Aal Luuk Mas in Turkic communities, is usually depicted in the form of beech with nine branches, and sometimes in the form of pine or poplar with seven or eight branches. Therefore, beech trees are considered sacred in almost all Turkic communities.
A giant eagle known as Bürküt, Merküt and Öksökö is believed to live on top of the tree of life.
Research show that the tree cult in the Turks evolved from nature worship and forest worship, which were a part of animism in earlier times.
Ulukayın, which was planted by the creator god Kayra Han in Turkic mythology, is usually depicted with nine branches, as mentioned above. According to the myths, the nine races or nine Turkic tribes on earth were created through the branches of the tree of life. These communities mixed with each other over time and formed today’s societies.
However, Turkic communities in Northeast Siberia explained the creation differently. According to the Epic of Er Sogotoh, the first human was born from Kübey Hatun, who lives in the tree of life.
Kübey Hatun is a mythological being who lives in the tree of life in Turkic mythology. Some researchers have also described her as a kind of birth goddess. She is usually depicted as a woman who is a tree from the waist down. She is the mother of the first human, Er Sogotoh.
Er Sogotoh, whose father is God, is the ancestor of all people on earth according to epics. He later learned that his mother was Kübey Hatun.
[2] Ulukayın is the Tree of Life in Turkic mythology, folk belief and shamanism. It is the tree of life that connects the earth and the sky.
Its meaning and importance It was erected by Kayra. It was created with the world. It is in the very center of the Earth, underground and sky. Its branches hold up the sky. Its roots pierce all layers of the Earth and extend into the subterranean ocean. The Öksökö bird spins around and flies, sometimes landing on its top. The nine tribes (nine tribes of the Turks or the nine great human races on Earth) are derived from the nine branches of this tree. Umay Ana is the owner of the Tree of Life and uses this tree while descending to the Earth. Kübey Hanım lives in this tree. Its roots go underground and its branches reach the sky. From its roots flows the water of life (Bengüsu). Each branch is described as having seventy leaves of gold. Its leaves are the size of a horse's skin. It has a very important place in Turkish mythology. It pierces the skies and rises to unknown heights. One of Ulukayın's branches extends to the Sun and the other to the Moon. Ülgen sits on its hill. It is sometimes considered a pine tree. There is the Moon on one side of the tree and the Sun on the other. Sometimes it is accepted that Demirdağ stood on it. Eight shadows are referred to as nine roots. People's souls fly between the branches of this tree. These spirits are like little birds. The tree that Osman I, the founder of the Ottomans, saw in his dream and that would grow and cover the whole world, resembles Ulukayın. Making a wish by tying cloth (ragut) to the tree also seems to be related to Ulukayın. Its resin, called ilge, gives great power to those who eat it. With the influence of Manichaeism, the Tree of Death, which is the opposite of the Tree of Life, also entered Turkish culture, but it did not become widespread. It is sometimes referred to as two trees from the same root, which is also appropriate with its two peaks, Mount World.
Çalama means tying a rag to an object or entity that is considered sacred in Turkish folk belief. It is the application of tying cloth and rag to trees. The action taken is called Çalama. Ulukayın is related to his faith. The word leavening is expressed with the verb to steal in Turkish. In this context, it can be perceived as the fermentation of a thought, a wish to a holy place. The tying of ribbons to sacrificial rams is also related to this understanding. Islam strictly forbids such approaches. It is also used with the verb to steal (to tie rags). One of the meanings of the word stealing is to cut the fabric. It may also be related to the concept of Yal/Al.
Turuğ is the tree for Shamans in folklore. When Qurmusta Tengri created the first shaman, he planted an eight-branched tree in front of his house. That's why every shaman plants a tree that represents him. This tree is called "Turuğ". Turug literally means durable, standing in place, immortal. The words Tör / Törü / Türe / Törö / Turo / Turu contain the meanings of order, order, as well as marriage and birth in folk belief.
Serge, holy pole in Turkic folk culture and mythology. Also called Sergey or Sergen. A pole for tying horses. It is believed that this pillar has its guardian spirit (iye). Apart from the general exhibitions, there are special Horse Exhibitions erected in the courtyard. Only the bride's horse can be tied to the Kiyi Serge / Bride Sergeni. In addition, there are special exhibitions erected on great holidays. There are also three or nine exhibitions in order to receive the spiritual support of the spirits of the earth and water. There is also a serge erected for cows, and a horse is not tied to it. Serges are decorated with trees and ornaments made of manes. A wooden horse head symbol is placed on the head of the sergeant. In some tales, the underground is equated with the Golden Pillar that connects the Earth and the sky. It represents wealth, prestige and power. Heroes connect his horse to the ground part, Erlik to the underground part, and Ülgen to the sky part. The word is connected with the word Pole. It comes from the verb to lay.
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The tree of life is found in Central Asian Turkish mythology. Its elements symbolize the “rebirth, growth and development of the Turkic peoples.” It is also to be found in shamanism, in which the tree provides a ladder for the shamans to use, ascending and descending between the spirit world and the underworld. The wood of the sacred tree is what is said to be what was used to form the shaman’s drum, an integral part of the materials used in performances of rituals and sacred rites. The beech tree seems to have been the tree that was worshipped right up to recent times. Sacrifices would even be made to it, according to Abdülkadir İnan in his book on shamanism.
In the 17th century, Ottoman travel writer Evliya Çelebi talks about the various beliefs of the peoples living in the northern Caucasus region. He notes that once a year the people would gather and light candles around the tree and perform a rite. This tree grew from a piece of the Tuba tree and had been sent to Alexander from God by means of the angel Gabriel. In particular Çelebi identified the Nogay tribe as perpetuating this custom, even though they had become Muslims.
Such a shamanistic practice as tree worship makes the legendary dream of Osman Gazi, the founder of the Ottoman dynasty even more interesting. Osman had a dream in which he saw the famous Ahi Şeyh Edebali so he went to the şeyh and explained how he had seen him in his dream. “’A moon appeared in your breast. It rose, rose and then descended into my breast. From my navel there sprang a tree. It grew and branched out so much, that the shadow of its branches covered the whole world. What does my dream mean?’
“After a brief silence, Edebali interpreted:
“’Congratulations, Osman! God Almighty bestowed sovereignty
upon you and your generation. My daughter will be your wife, and the whole
world will be under the protection of your children.’”
One suspects that Ahi Şeyh Edebali knew about the world tree
or tree of life.
The tree of life – an enduring symbol
Certainly the tree of life continued as a motif because of its deep religious significance. In “Turkish Flat Weaves,” the authors point to Yörük and Turkmen nomads who use the tree to represent the axis of the world in their kilim designs. The kilims from the Thracian area, sometimes known as Şarköy kilims, have this motif as their center decoration. The authors also note that the tree of life is often found in prayer kilims, as well as in border meanders.
From
Ireland across northern Europe throughout Central Asia and North America, the
mythology of the world tree or tree of life spread.
As so often happens, some of the oldest accounts of the sacred tree come down
to us from Babylonia and have been dated to 3,000 – 4,000 BC. The Babylonian
tree was at the center of the universe at the mouth of the Euphrates River. The
roots of the tree extended into the waters of the abyss which was guarded by
Ea, the god of wisdom, who produced the water necessary for agriculture in the
land between the two rivers. The leaves of the tree were where the goddess of
the heavens resided and the trunk held the earth goddess and her son.
The tree of life appears several times in the Old Testament of the Bible. It is
one of two trees that stand in Paradise; however, the other one, the tree of
the knowledge of good and evil, achieved greater prominence as time went on.
Persian mythology, prior to Islam, centered around a large, sacred tree which
bore all the seeds necessary for trees to grow on earth. Ahriman who was the
source of all of the evil in the world sent a frog to invade the tree and
destroy it. To guard the tree, the god Ahura Mazda, who represented all that
was good, including life, created two fish to continually stare at the frog,
always ready to stop it. A different Iranian myth, that of Mashy and Mashyane,
tells of two trees who were the ancestors of all living beings.
The ancient Egyptians had a somewhat different way of looking at the tree. Their sacred tree was a sycamore that stood on the threshold of life and death and connected the two, rather than a tree that connected the heavens with the earth and then the underworld. The acacia tree is said to have produced Isis and Osiris, the prominent Egyptian god and goddess; the acacia enclosed life and death. It’s not clear whether the sycamore and the acacia tree have been confused and, if so, how, since they are very different trees.
The ancient Armenians saw the tree of life as a religious symbol and one that most likely was used to protect people in times of conflict. The tree would be drawn on fortress walls and on the armor worn by soldiers, the tree’s branches extended in equal numbers to the left and right of the trunk. Each branch had one leaf and the tree itself was topped with a single leaf. Human figures, possibly servants, stood next to the tree.
Chinese mythology contains legends about the tree of life,
sometimes incorporating a phoenix (death and resurrection) and a dragon
(immortality). These legends were also interpreted in artistic form, such as
carvings and ceramics. Archaeological discoveries made in the last century in
Sichuan, China, included three bronze trees (about 1,200 BC) and a ceramic tree
with coins and topped by a bird with coins.




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